One of my favorite things to do in altered books is creating niches: small open sections, to hold goodies that take up too much space to be applied flat. For these pages, I created small, round niches to hold herbs:
Cutting niches with a craft knife can be hard on the hands, so I did these with a round paper punch. This first video shows how I set up the page block, and punched niches for both pages at once:
This second video shows how I put the net into the front sides of the niches, filled them with herbs, and sealed the page block closed, giving it a clean finish:
I opted to do very shallow niches, but this punched technique can be used to create deep ones, as well. Using a round punch is easiest in terms of getting everything lined up easily, but other shapes can be used. Just be sure to keep your punch at the same angle, and take time to line it up each time you punch a new set of pages.
I recently did an altered book layout that described the properties of 11 different colors. I needed a variety of backgrounds that were monochrome, simple, and fun. Here are the pages when they were finished:
Here’s a speed-through video, showing how those backgrounds went together. They’re all pretty simple:
I love to do altered book layouts that contain a lot of pages, and a lot of related information. One of the devices I use to cram a lot of stuff into a little space is to create tabbed pages that are slightly narrower than the pages that surround them, to create a multi-page layout that looks like it belongs. Here’s how that works:
Simply put, an altered book is an art object that has been created from an existing, printed book. The book is altered through whatever means and media the artist chooses. This generally means using the book’s pages as a canvas on which to apply paint, collage or rubber stamping. It could also mean cutting into the book to create a more sculptural piece.
Approaches to book altering are as varied as the artists who undertake them. A textile artist or quilter might choose to use fabric to alter their books. A rubber stamper might opt to stamp and use inks and sprays. A painter could use a book as a canvas for several works in acrylic, watercolor, or oils. Each artist brings their own skills acquired in other creative pursuits, and applies them to the same general surface: a printed book.
Some altered book artists choose to work within a certain theme throughout the pages of a book, while others see each page as a work that stands on its own. Some artists choose to work collaboratively, in exchanges or round robins, where books are passed around a group of artists, each adding her own work to whichever book she has at the moment.
But I Would Never Deface a Book!
Many altered book artists have experienced the hand-wringing and wailing that comes from people who believe that books are sacred objects, and should never be defaced. If you’re one of those people, let me put your mind at ease:
Most altered book artists work in old books. Not museum-quality old. Back of the used book store, marked down to nothing, nobody has any use for them any more old. We work in books that, if not purchased for art, will be shredded for pulp.
Many artists check the books they buy against vintage book listings, to ensure they are not about to cut into a book that still has value. In general, if you bought a book for a dollar, Googled it when you got home, and discovered a copy of it was causing a bidding war on eBay, you probably wouldn’t cut into it. Neither would I, nor would any other reasonable person.
Some artists have a personal list of books they absolutely would not use for altering, no matter how old or inexpensive it might be. Some (but not all) would pass on working in a Bible, Quran, or other holy books. Some might prefer not to work in a book of another artist’s images, as in a tabletop art book.
Altered book artists respect books in a way that is second only to librarians. Never fear: we are not defacing books that anyone wants or needs. We are resurrecting old, unloved books, and turning them into art!
How To Choose a Book For Altering
If you’re looking for a book to alter page by page, you’ll want to consider a few things. You should probably choose a book that’s constructed with a sewn spine, filled with soft paper, in a size you can live with.
This video will show you how to choose a book for altering:
Things to look for:
Size. I like to work big, so I hunt for large books. You might like to work smaller. This is a personal preference, and one that you will develop as you work. If you’re choosing your first book, don’t feel you have to know what the perfect size for you might be. you’ll learn that as you go.
Paper quality. I like pages that feel like they have a lot of cotton in them: soft to the touche, and sturdy. That usually means choosing an older book. Avoid books with glossy pages.
A sewn spine. Check the headband to be sure it’s soft and loose, with scalloped ridges where groups of pages (signatures) are attached. Look for the beginning of a signature, and check it at the spine for stitching.
Books to avoid:
Paperbacks. In general, paperback books aren’t sturdy enough to withstand altering.
Glued bindings. Pages that are glued into the spine rather than stitched will pull out easily.
Preparing Books To Alter
If you’re going to alter a book in a way that adds even a little bulk, you may want to prepare it first, by removing some pages.
This video will show you how to prepare a book for altering, without compromising the structure or the spine:
Once you have your book prepared for altering, use whatever creative skills you have to fill it! The one and only rule about altering a book is that their are no rules. Whatever you feel like doing to your book is fine. Draw in it. Doodle in it. Paint in it. Light it on fire and throw it in the bath tub. (I really did this. Twice. Both times, for books concerning fire.)
A Year of Altered Books
I teach a year-long class called A Year of Altered Books. Many of the pages shown in this article , including those in the gallery above, are samples from the class.
All You Need is Love
Many altered book artists keep practice books, where they work on their techniques, try new materials, and just generally play, without worrying about the outcome. I did the All You Need is Love pages, above, in my practice book, and shot the fast-motion video of how they were created, below, as I worked.
Find Some Like-Minded Book Lovers
A great way to learn about altered books is to find a big bunch of people who are also making them. Here are two groups in which I’ve been active for many years:
Altered Books on Yahoo! Groups, started in 1999, contains the Internet’s largest repository of altered book information. You’ll find endless tutorials in the Files section.
Altered Books on Facebook was started by members of the Yahoo! altered books group, so we could have a presence on Facebook. It’s a great place to see photos of finished altered books, and to ask a quick question.